is milyon88 legit

is milyon88 legit Global Business Travel Market to Grow at a CAGR of 9.5%, Reaching USD 2.1 Trillion by 2031, Fuelled by Corporate Travel and Leisure Integration : Here’s new facts you need to knowManmohan Singh, Indian ex-PM and architect of economic reform, dies at 92

A massacre of more than 200 people in Haiti this month followed a gang-ordered manhunt that saw victims, many of them elderly, pulled from their homes and shot or killed with machetes, the UN said Monday. The victims were suspected of involvement in voodoo and accused by a gang leader of poisoning his child, with the suspects taken to a "training center" where many were dismembered or burned after being killed. A civil society organization had said at the time that the gang leader was convinced his son's illness was caused by followers of the religion. "On the evening of December 6, (Micanor Altes) ordered the members of his gang -- around 300 -- to carry out a brutal 'manhunt.' They stormed into about ten alleys of the (Port-au-Prince) neighborhood and forcibly dragged the victims out of their homes," said the report, authored jointly by the UN office in Haiti, BINUH, and the UN Human Rights Commissioner (OCHR). In the days that followed, the gang returned to the neighborhood, abducting adherents from a voodoo temple, targeting individuals suspected of tipping off local media and slaughtering people seeking to escape. Some of the bodies "were then burned with gasoline, or dismembered and dumped into the sea," the report concluded. A total of 134 men and 73 women were killed in total over six days, the report said. A mosaic of violent gangs control most of the Haitian capital Port-au-Prince. The impoverished Caribbean country has been mired for decades by political instability, made worse in recent years by gangs that have grown in strength and organizational sophistication. Despite a Kenyan-led police support mission, backed by the United States and UN, violence has continued to soar. "According to BINUH and OHCHR, since January 2024, more than 5,358 people have been killed and 2,155 injured," the report said. "This brings the total number of people killed or injured in Haiti to at least 17,248 since the beginning of 2022." The UN Security Council "strongly condemned the continued destabilizing criminal activities of armed gangs and stressed the need for the international community to redouble its efforts to provide humanitarian assistance to the population." A spokeswoman for UN Secretary-General Antonio Guterres said "these crimes touched the very foundation of Haitian society, targeting the most vulnerable populations." Voodoo was brought to Haiti by African slaves and is a mainstay of the country's culture. It was banned during French colonial rule and only recognized as an official religion by the Haitian government in 2003. While it incorporates elements of other religious beliefs, including Catholicism, voodoo has been historically attacked by other religions.New speed limits may be viewed as a 'revenue maker' by drivers, councillor says

One night last month, near the end of the Chicago International Film Festival, a particularly long line of moviegoers snaked down Southport Avenue by the Music Box Theatre. The hot ticket? This fall’s hottest ticket, in fact, all over the international festival circuit? Well, it’s a 215-minute drama about a fictional Hungarian Jewish architect who emigrates to America in 1947 after surviving the Holocaust. The film’s title, “The Brutalist,” references several things, firstly a post-World War II design imperative made of stern concrete, steel, and a collision of poetry and functionality. Director and co-writer Brady Corbet, who wrote “The Brutalist” with his filmmaker wife, Mona Fastvold, explores brutalism in other forms as well, including love, envy, capitalist economics and how the promise of America eludes someone like the visionary architect László Tóth, played by Adrien Brody. Corbet, now 36 and a good bet for Oscar nominations this coming January, says his unfashionable sprawl of a picture, being distributed by A24, is also about the “strange relationship between artist and patron, and art and commerce.” It co-stars Felicity Jones as the visionary architect’s wife, Erzsébet, trapped in Eastern Europe after the war with their niece for an agonizingly long time. Guy Pearce portrays the imperious Philadelphia blueblood who hires Tóth, a near-invisible figure in his adopted country, to design a monumental public building known as the Institute in rural Pennsylvania. The project becomes an obsession, then a breaking point and then something else. Corbet’s project, which took the better part of a decade to come together after falling apart more than once, felt like that, too. Spanning five decades and filmed in Hungary and Italy, “The Brutalist” looks like a well-spent $50 million project. In actuality, it was made for a mere $10 million, with Corbet and cinematographer Lol Crawley shooting on film, largely in the VistaVision process. The filmmaker said at the Chicago festival screening: “Who woulda thunk that for screening after screening over the last couple of months, people stood in line around the block to get into a three-and-a-half-hour movie about a mid-century designer?” He lives in Brooklyn, New York, with Fastvold and their daughter. Our conversation has been edited for clarity and length. Q: Putting together an independent movie, keeping it on track, getting it made: not easy, as you told the Music Box audience last night. Money is inevitably going to be part of the story of “The Brutalist,” since you had only so much to make a far-flung historical epic. A: Yeah, that’s right. In relation to my earlier features, “The Childhood of a Leader” had a $3 million budget. The budget for “Vox Lux” was right around $10 million, same as “The Brutalist,” although the actual production budget for “Vox Lux” was about $4.5 million. Which is to say: All the money on top of that was going to all the wrong places. For a lot of reasons, when my wife and I finished the screenplay for “The Brutalist,” we ruled out scouting locations in Philadelphia or anywhere in the northeastern United States. We needed to (film) somewhere with a lot less red tape. My wife’s previous film, “The World to Come,” she made in Romania; we shot “Childhood of a Leader” in Hungary. For “The Brutalist” we initially landed on Poland, but this was early on in COVID and Poland shut its borders the week our crew was arriving for pre-production. When we finally got things up and running again with a different iteration of the cast (the original ensemble was to star Joel Edgerton, Marion Cotillard and Mark Rylance), after nine months, the movie fell apart again because Russia’s invasion of Ukraine. We couldn’t get any of the banks to cash-flow the tax credit (for location shooting in Poland). It’s completely stable now, but at that time the banks were nervous about whether the war would be contained to Ukraine or not. And then we finally got it up and running in Budapest, Hungary. Q: That’s a long time. A: Every filmmaker I know suffers from some form of post-traumatic stress (laughs). It sounds funny but it’s true. At every level. On the level of independent cinema, you’re just so damn poor. You’re not making any money, and yet from nose to tail, at minimum, a movie always takes a couple of years. With bigger projects, you might have a little more personal security but a lot less creative security with so many more cooks in the kitchen. Either route you choose, it can be an arduous and painful one. Whether you’re making a movie for a million dollars, or $10 million, or $100 million, it’s still “millions of dollars.” And if you’re concerned about the lives and livelihoods of the people working with you, it’s especially stressful. People are constantly calling you: “Is it happening? Are we starting? Should I take this other job or not?” And you have 250 people who need that answer from you. Every iteration of the project, I always thought we were really about to start in a week, two weeks. It’s just very challenging interpersonally. It’s an imposition for everyone in your life. And then there’s the imposition of screening a movie that’s three-and-a-half-hours long for film festivals, where it’s difficult to find that kind of real estate on the schedule. So essentially, making a movie means constantly apologizing. Q: At what point in your acting career did you take a strong interest in what was going on behind the camera? A: I was making short films when I was 11, 12 years old. The first thing I ever made more properly, I guess, was a short film I made when I was 18, “Protect You + Me,” shot by (cinematographer) Darius Khondji. It was supposed to be part of a triptych of films, and I went to Paris for the two films that followed it. And then all the financing fell through. But that first one screened at the London film festival, and won a prize at Sundance, and I was making music videos and other stuff by then. Q: You’ve written a lot of screenplays with your wife. How many? A: Probably 25. We work a lot for other people, too. I think we’ve done six together for our own projects. Sometimes I’ll start something at night and my wife will finish in the morning. Sometimes we work very closely together, talking and typing together. It’s always different. Right now I’m writing a lot on the road, and my wife is editing her film, which is a musical we wrote, “Ann Lee,” about the founder of the Shakers. I’m working on my next movie now, which spans a lot of time, like “The Brutalist,” with a lot of locations. And I need to make sure we can do it for not a lot of money, because it’s just not possible to have a lot of money and total autonomy. For me making a movie is like cooking. If everyone starts coming in and throwing a dash of this or that in the pot, it won’t work out. A continuity of vision is what I look for when I read a novel. Same with watching a film. A lot of stuff out there today, appropriately referred to as “content,” has more in common with a pair of Nikes than it does with narrative cinema. Q: Yeah, I can’t imagine a lot of Hollywood executives who’d sign off on “The Brutalist.” A: Well, even with our terrific producing team, I mean, everyone was up for a three-hour movie but we were sort of pushing it with three-and-a-half (laughs). I figured, worst-case scenario, it opens on a streamer. Not what I had in mind, but people watch stuff that’s eight, 12 hours long all the time. They get a cold, they watch four seasons of “Succession.” (A24 is releasing the film in theaters, gradually.) It was important for all of us to try to capture an entire century’s worth of thinking about design with “The Brutalist.” For me, making something means expressing a feeling I have about our history. I’ve described my films as poetic films about politics, that go to places politics alone cannot reach. It’s one thing to say something like “history repeats itself.” It’s another thing to make people see that, and feel it. I really want viewers to engage with the past, and the trauma of that history can be uncomfortable, or dusty, or dry. But if you can make it something vital, and tangible, the way great professors can do for their students, that’s my definition of success. “The Brutalist” opens in New York and Los Angeles on Dec. 20. The Chicago release is Jan. 10, 2025. Michael Phillips is a Tribune critic.

Global Customer Effort Score (CES) Software Market Size, Share and Forecast By Key Players-Wootric,Delighted,Zonka Technologies,Boast,SurveySensumLAKE FOREST, Ill. (AP) — Jaylon Johnson wasn’t all that interested in discussing any bright spots or reasons to have hope for the Chicago Bears. The star cornerback made his feelings clear. “I’ve been in slumps four, five years in a row now,” Johnson said Monday. “So, I mean at the end of the day, I don’t look for, ‘OK, what is going to be better in the future?’ ... It will be better when it’s better. So, right now, it’s not better. That’s all I can go off of.” The Bears (4-7) are last in the NFC North and have five straight losses after in overtime. They wiped out an 11-point deficit in the final 22 seconds of regulation, only to come up short again when the Vikings’ Parker Romo kicked a 29-yard field goal. It was the third game during this skid that came down to the final play. in Week 8 and had a in Week 11. Players have openly questioned some of the coaching decisions in recent weeks. Offensive coordinator Shane Waldron got fired before the game against Green Bay. And coach Matt Eberflus’ game management came under more scrutiny against Minnesota. With the Bears trailing 17-10 in the third quarter, there was some confusion on a fourth-and-4 at the Vikings 27. Eberflus said he didn’t do a good enough job communicating on the previous play that they would go for it on fourth down. That led to a chaotic sequence in which Santos and long snapper Scott Daly ran onto the field, only to get waved off by a lineman. Quarterback Caleb Williams had to rush to get everyone lined up properly in order to avoid a delay of game. He wound up barking out the wrong play because he misheard the call from offensive coordinator Thomas Brown and threw an incomplete pass. Receiver DJ Moore said Eberflus had not addressed that play with the team. The Bears were scheduled to meet later Monday. “That moment was just like, like a ‘what is going on’ moment that we could have avoided,” he said. What’s working The passing game. Williams has clearly looked more comfortable in the two games since Brown replaced the fired Shane Waldron as offensive coordinator. The No. 1 draft pick followed up a solid performance against Green Bay by throwing for 340 yards and two touchdowns. It was his fourth straight turnover-free game and fifth in a row without an interception. What needs help Field goal protection. One week after his game-ending 46-yard field goal attempt against Green Bay got blocked, Santos had a 48-yarder rejected on his first try against Minnesota. It happened from the same area, in the middle of the line, when the Vikings’ Jerry Tillery knocked down the kick. “I just think it’s technique,” Eberflus said. “It’s getting your foot down, bracing up there, staying lower. ... We just have to do a better job there with that.” It was the third blocked field goal for Santos this year, the most for Chicago in a single season since it also had three blocked in 2012. He had a 43-yard try blocked in a win over Jacksonville on Oct. 13. Stock up Moore. The Bears have done a better job getting Moore involved under Brown. Moore caught seven passes for a season-high 106 yards and a touchdown against Minnesota. That gave him 14 receptions for 168 yards the past two games, compared to 13 for 104 yards over the previous four. Johnson’s 27-yard catch down the middle set up Santos’ tying field goal at the end of regulation. But it’s not just deep shots. The Bears are finding ways to get the ball in his hands, allowing him to turn short passes into bigger gains. He also had a 13-yard run. Stock down RB D’Andre Swift. After a string of solid outings, Swift had just 30 yards on 13 carries. To be fair, he has been dealing with a groin issue, and he was going against the NFL’s No. 1 run defense. Injuries The Bears reported no injuries during the game. Key number 5-18 — The Bears’ record in one-possession games in nearly three seasons under Eberflus, including a 2-5 mark this year. They are 14-31 overall during Eberflus’ tenure. Next steps The schedule doesn’t get any easier, with a Thanksgiving matchup at NFC North leader Detroit. The Lions (10-1) have won nine straight since losing to Tampa Bay in Week 2. ___ AP NFL:

Manmohan Singh: technocrat who became India's accidental PMBill Clinton hospitalized in DC for fever, in 'good spirits,' spokesperson says

Published 5:26 pm Monday, December 23, 2024 By Associated Press OAKLAND, Calif. — Hall of Famer Rickey Henderson, the brash speedster who shattered stolen base records and redefined baseball’s leadoff position, has died. He was 65. Henderson died on Friday. The Athletics said Saturday they were “shocked and heartbroken by his passing,” but did not specify a cause of death. Known as baseball’s “Man of Steal,” Henderson had a lengthy list of accolades and accomplishments over his nomadic 25-year career — an MVP, 10 All-Star selections, two World Series titles and a Gold Glove award. “Rickey was simply the best player I ever played with. He could change the outcome of a game in so many ways,” said Don Mattingly, Henderson’s teammate with the New York Yankees from 1985-89. “It puts a smile on my face just thinking about him. I will miss my friend.” It was stealing bases where Henderson made his name and dominated the sport like no other. He broke through with 100 steals in his first full season in the majors in 1980, topping Ty Cobb’s AL single-season record with Billy Martin’s “Billy Ball” Oakland Athletics. He barely slowed playing for nine franchises over the next two decades. He broke Lou Brock’s single-season record of 118 by stealing 130 bases in 1982 and led the league in steals for seven straight seasons and 12 overall. Henderson surpassed Brock’s career record when he stole his 939th base on May 1, 1991, for Oakland, and famously pulled third base out of the ground and showed it off to the adoring crowd before giving a speech that he capped by saying: “Lou Brock was a great base stealer, but today I am the greatest of all time.” Henderson finished his career with 1,406 steals. His 468-steal edge over Brock matches the margin between Brock and Jimmy Rollins, who is in 46th place with 470. “He’s the greatest leadoff hitter of all time, and I’m not sure there’s a close second,” former A’s executive Billy Beane said of Henderson. In September, Henderson insisted he would have had many more steals in his career and in the record-breaking 1982 season if rules introduced in 2023 to limit pickoff throws and increase the size of bases had overlapped with his career. “If I was playing today, I would get 162, right now, without a doubt,” he said. “Because if they had had that rule, you can only throw over there twice, you know how many times they would be throwing over there twice and they’d be going, ‘Ah, (shoot), can y’all send him to third? Give him two bases and send him to third.’ That would be me.” He even predicted how he could still be stealing more bases than the current major leaguers even 20-plus years post-retirement: “If they’re stealing 40-50 bases right now I’d lead the league.” Henderson’s accomplishment that record-breaking day in 1991 was slightly overshadowed that night when Nolan Ryan threw his record seventh career no-hitter. Henderson already had been Ryan’s 5,000th career strikeout victim, which led him to say, “If you haven’t been struck out by Nolan Ryan, you’re nobody.” That was clearly not the case for Henderson. He is also the career leader in runs scored with 2,295 and in leadoff home runs with 81, ranks second to Barry Bonds with 2,190 walks and is fourth in games played (3,081) and plate appearances (13,346). He finished his career with 3,055 hits over 25 seasons spent with Oakland, the Yankees, Toronto, San Diego, Anaheim, the New York Mets, Seattle, Boston and the Los Angeles Dodgers. He fittingly finished his career with the Dodgers at age 44 in 2003 by scoring a run in his final play on a major league field. Henderson is the third prominent baseball Hall of Famer with ties to the Bay Area who died this year, following the deaths in June of former Giants stars Willie Mays and Orlando Cepeda. Henderson was the rare position player who hit from the right side and threw with his left arm — but then again, everything about Henderson was unique. He batted out of an extreme crouch, making for a tighter strike zone that contributed to his high walk total. He struck fear in opponents with his aggressive leads off first, his fingers twitching between his legs inside his batting gloves as he eyed the pitcher and the next base. Born on Christmas Day in 1958 in Chicago in the back of his parents’ Chevy, Henderson grew up in Oakland and developed into a star athlete. He played baseball, basketball and football at Oakland Tech High School and was a highly sought-after football recruit who could have played tailback at Southern California — where he likely would have eventually had the chance to run alongside football Hall of Famer Marcus Allen. But Henderson said his mother loved baseball and thought it would be the safer career in a decision that proved to be prescient. “She didn’t want her baby to get hurt,” Henderson told the San Francisco Chronicle in 2019. “I was mad, but she was smart. Overall, with the career longevity and the success I had, she made the right decision. Some of the players in football now have short careers and they can barely move around when they’re done.” Henderson was selected in the fourth round of the 1976 amateur draft by the hometown A’s and made his big league debut in 1979 with two hits — and, of course, one stolen base. He became a star for the A’s the following season and remained in Oakland through 1984 before being traded to the Yankees. Henderson was part of some talented teams in New York that never made the postseason. In 1985, he scored 146 runs in 143 games to go along with a league-leading 80 steals and 24 homers, helping start the “80-20 club” that season with Cincinnati’s Eric Davis. Henderson was traded back to Oakland in June 1989, leading to his greatest successes. He topped the AL that season with 113 runs, 126 walks and 77 steals, was named the ALCS MVP and helped lead the A’s to the World Series title in the earthquake-interrupted Bay Bridge series by sweeping the Giants. Henderson then won the AL MVP the following season for Oakland before the A’s lost the World Series to Cincinnati. “I traded Rickey Henderson twice and brought him back more times than that,” former A’s general manager Sandy Alderson said. “He was the best player I ever saw play. He did it all — hit, hit for power, stole bases, and defended — and he did it with a flair that enthused his fans and infuriated his opponents. But everyone was amused by his personality, style, and third-person references to himself. He was unique in many ways. “Rickey stories are legion, legendary, and mostly true. But behind his reputation as self-absorbed was a wonderful, kind human being who loved kids. His true character became more evident over time. Nine different teams, one unforgettable player.” Henderson set the career steals record in 1991 and then was traded two years later to Toronto, where he won his second World Series. He spent the final decade of his career bouncing around the majors and still led the AL with 66 steals and 118 walks at age 39 with Oakland in 1998. In 2017, the A’s named their playing surface “Rickey Henderson Field” at the Oakland Coliseum in his honor. “When you’re old and grey, sitting around with your buds talking about your career in baseball, you are going to talk about Rickey,” said Ron Guidry, another of Henderson’s former Yankees teammates. “He was just amazing to watch. There were great outfielders. There were great base stealers. There were great home run hitters. Rickey was a combination of all of those players. He did things out there on the field that the rest of us dreamed of.”

These holiday gifts change the game when building fires, printing photos, watching birds and more

Former Super Bowl Champion's Deion Sanders, Cowboys Message Turns HeadsU.S. stocks turned higher midway through trading, with the Dow Jones index gaining around 50 points on Thursday. The Dow traded up 0.12% to 43,347.41 while the NASDAQ rose 0.03% to 20,037.71. The S&P 500 also rose, gaining, 0.05% to 6,042.96. Check This Out: Wall Street’s Most Accurate Analysts Give Their Take On 3 Utilities Stocks With Over 4% Dividend Yields Leading and Lagging Sectors Health care shares rose by just 0.1% on Thursday. In trading on Thursday, information technology shares dipped by 0.4%. Top Headline U.S. initial jobless claims fell by 1,000 from the previous week to a reading of 219,000 during the second week of December, compared to market estimates of 224,000. Equities Trading UP SEALSQ Corp LAES shares shot up 31% to $7.16. On Thursday, SEALSQ announced the launch of SEALQUANTUM.com Lab, a research hub designed to help businesses transition to quantum-safe encryption Shares of SciSparc Ltd. SPRC got a boost, surging 155% to $0.5600 after the company announced it received its first shipment of vehicles manufactured by Anhui Jianghuai Automobile Group. Zoomcar Holdings, Inc. ZCAR shares were also up, gaining 90% to $2.71 after it reported a 43% year-on-year increase in November bookings. Equities Trading DOWN Neuphoria Therapeutics Inc. NEUP shares dropped 38% to $4.10. Shares of Baosheng Media Group Holdings Limited BAOS were down 34% to $4.66. SaverOne 2014 Ltd SVRE was down, falling 30% to $1.0501. Commodities In commodity news, oil traded up 0.2% to $70.25 while gold traded up 0.6% at $2,651.20. Silver traded up 0.6% to $30.450 on Thursday, while copper rose 0.6% to $4.1335. Euro zone In Europe, markets in Germany, France, London, Spain and Switzerland are closed for the Boxing Day holiday. Asia Pacific Markets Asian markets closed mostly higher on Thursday, with Japan's Nikkei 225 gaining 1.12%, China's Shanghai Composite Index gaining 0.14% and India's BSE Sensex falling 0.01%. Economics U.S. initial jobless claims fell by 1,000 from the previous week to a reading of 219,000 during the second week of December, compared to market estimates of 224,000. Now Read This: Top 3 Utilities Stocks You’ll Regret Missing In December © 2024 Benzinga.com. Benzinga does not provide investment advice. All rights reserved.